2024 Guide to the Best Nikon D80 Lenses for Photography
The Nikon D80 is still a capable camera. This is in part because of the the 10.2 megapixel CCD sensor.
What makes the D80 shine are the great Nikon DX lenses that are available. There are lenses for all types of photography such as wildlife, landscapes, sports, portraits, street, travel, product, and macro.
There are lens compatibility factors that need to be taken into account. Most notably, AF-P lenses are not compatible with the D80.
List of the best lenses for the Nikon D80:
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- Best Zoom Lens - Nikon 55-300mm f/4.5-5.6G ED VR
- Best Wide Angle Lens - Tokina 11-16mm f/2.8 AT-X116 Pro DX II
- Best Telephoto Lens - Nikon AF-S Nikkor 85mm f/1.8G
- Best First Prime - Nikon AF-S DX 35mm f/1.8G
- Best Macro Lens - Nikon Micro-Nikkor 40mm f/2.8G
- Best All in One Lens - Nikkor 18-55mm f/3.5-5.6G ED AF-S DX VR
Best Zoom Lenses for Nikon D80
Quite possibly the most good and affordable zoom lens is the Nikon 18-55mm f/3.5-5.6G, one of the kit lenses originally sold with the Nikon D80. The 18-55mm f/3.5-5.6 G is not going to be discussed as a large percentage people likely already own it.
Wide zoom lenses are included further down the page.
Telephoto zoom lenses are awesome with the Nikon D80 for action, portraits,sports,wildlife, or any distant subject.
Nikon 55-300mm f/4.5-5.6G ED VR
- Silent Wave Motor (SWM) for Fast and Quiet Autofocus
- Vibration Reduction Image Stabilization for Outstanding Handheld Shots
- Gives You a Wide Focal Length Coverage
- Terrific Lens for Sports Photography with the Nikon D80
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The biggest draw of the Nikon 55-300mm f/4.5-5.6G is the reach the lens has combined with image stabilization. It is going to be an excellent option anytime you may not be able to move nearer to your subject. Like other zooms mentioned, the aperture of f/5.6 at the long end of the zoom range is a bit small, better alternatives are much more.
You won’t have to break your budget to get this piece of glass. There are lots of second hand copies on the market as it was bundled with the Nikon D5500, D5600, and D3400.
The considerable zoom range of the lens is made-up of 17 elements in 11 groups. Two of the elements are extra-low dispersion and one is a high refractive index element to ensure sharp images.
It weighs in at 580g (18.7 oz), with dimensions of (Diameter x Length) 3.0 in. (76.5 mm) x 4.8 in. (123 mm). While not small, it can still easily be carried around on the camera or in your bag.
Nikon 55-200mm f/4-5.6G ED IF AF-S DX VR
- Excellent Value When Purchased Used
- Silent Wave Motor for Accurate Autofocus
- Very good for Wildlife, Sports, Action, & Portraits
- 2 Extra-Low Dispersion (ED) Lens Elements
- (VR) Vibration Reduction Image Stabilization
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The Nikon 55-200mm f/4-5. 6G was the second lens included with the D3200, D3300, and D3100 digital SLR cameras. It’s a awesome deal when bought second-hand.
A copy in excellent cosmetic condition is found for not even half the going rate a second hand Nikon 55-300mm.
The only downside of the 55-200mm is the 100mm reduction in reach. It still has VR image stabilization and to help you get sharp images when hand-holding the camera.
One benefit of the lens is that carrying it around won’t be an issue. It only weighs 335g (11.8 oz) with dimensions of (Diameter x Length) 2.9 in. (73.6 mm) x 3.9 in. (99.5 mm).
Tamron 70-300mm f/4.0-5.6 Di LD
- Ultra Silent Drive (USD) Autofocus Motor
- Extra Low Dispersion (XLD) Glass Element
- Broad-Band Anti-Reflection (BBAR) Lens Coating
- 9 Aperture Blades for Beautiful Bokeh
- Minimal focus distance 59.1"
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The Tamron 70-300mm is an excellent choice if you want 300mm of reach, but don’t want to pay as much for the 55-300mm from Nikon.
One big shortcoming is the absence of image stabilization. This will make it harder to get sharp images hand holding the lens.
Very similar optical image stabilization is integrated in the Tamron as found in the Nikons. All of them have extra-low dispersion elements and anti-reflective lens coatings.
The lens weighs 16.1oz (458g). It has a length of 5.6" and diameter of 3.2".
Best Wide Angle Lenses
A wide angle lens is worthwhile for landscapes, astrophotography, architecture, group photos, real estate photography, and more.
One thing to watch out for is the wide angle causing strong distortion. Portraits can be tricky as noses or any body part close to the front of the lens will appear abnormally large.
A benefit of a wide angle is that image stabilization is much less beneficial. Little movements or vibrations are unlikely to cause blur in a photo.
Having a large maximum aperture is critical for astrophotography. {For the best possible images, you want at least a f/4, if not f/2.8 aperture|For the best photos, you want the maximum aperture to be at least f/4.
Tokina 11-16mm f/2.8 AT-X116 Pro DX II
- Perfect pick for night photography
- Fast f/2.8 Maximum Aperture
- 77mm Front Filter Threads
- Focus Clutch Style M/A Selector
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The Tokina 11-16mm f/2.8 is fast and sharp. With a large aperture, this lens is an outstanding choice for astrophotography.
One key feature of the lens is the focus clutch that controls changing between manual focus and autofocus. To switch focus, the entire focus ring is either pushed forward or pulled back.
There’s a built-in autofocus motor, but it is noisy. This often is a problem if you want quiet operation when shooting at an event.
In terms of size, the lens is rather large. It weighs 550g (1.21 lbs) with dimensions of 4.02 x 4.02 x 4.02 in (L x W x H).
Watch out when you go to purchase the lens. Tokina also makes versions that use a different lens mount like the Canon EF or Sony A mounts. Check to make sure the lens you order is compatible with the Nikon F-mount.
Sigma 10-20mm f/3.5 EX DC HSM ELD SLD Aspherical
- Hyper-Sonic Motor (HSM)
- Ultra-wide angle lens
- Internal Focus and Great Build Quality
- Super Multi-Layer Coating
- Built with Aspherical Elements that Reduce Distortion
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The Sigma 10-20mm f/3.5 falls into the same price range as the Tokina 11-16mm f/2.8. It has a larger zoom range, but a slightly smaller maximum aperture.
At 10mm the lens is going to produce an exaggerated distorted perspective. You’re likely going to see distortion, which you can reduce through post-processing.
4 aspherical elements have been utilized to help reduce distortion and aberrations. In total there are 13 lens elements in 10 groups to ensure the best image quality possible.
All that glass doesn’t make the lens too heavy, coming in at a weight of 520g (18.3 oz). Dimensions are diameter of 3.4" (87.3mm) and length of 3.5" (88.2mm).
Be careful if you are looking to purchase this lens. Sigma also made copies of the lens for other DSLR camera mounts including, Canon EF, Sony A, and Pentax K mounts. Make sure the one you buy uses the Nikon F lens mount.
Best Telephoto Lenses
The 55-300mm & 55-200mm lenses covered in the zoom section are also the lenses to look for first if you need a telephoto lens.
This section is going to take a look at telephoto prime lenses for sports, action, wildlife, and portrait photography. There is no shortage of these lenses available for the Nikon F-mount.
However, telephoto prime lenses tend to be expensive because the amount of optics that need to be employed. The weight of the lens and ergonomics when mounted on a camera body need to be taken into account. The right lens the one that is easy to handle and use so you can capture memorable pictures.
Nikon AF-S Nikkor 85mm f/1.8G
- Best Lens for Portraits
- Internal Focus (IF)
- Silent Wave Motor (SWM)
- Superb Color Reproduction
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The Nikon 85mm f/1.8G is one of the best Nikon lenses for professional photographers. It is a fast lens that delivers excellent images and pleasing bokeh.
The 85mm 1.8G is a full frame lens. You’ll notice two differences when comparing it against a DX lens.
First, full frame lenses are usually more expensive than DX lenses. They have larger lens elements, which translates to additional cost.
Second, the lens is larger than many DX lenses. While not a huge issue, if you plan to carry it around with another lens, you’ll definitely need a bag.
Nikon AF-S FX Nikkor 50mm f/1.8G
- Excellent Lens with a Fast Aperture
- Silent Wave Motor (SWM)
- Small and Lightweight
- Excellent Pick for Low Light Photography
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Taking the crop factor focal length multiplier into account, this lens could be treated as a short telephoto. It is a relatively inexpensive fast prime that can be made use of for portraits and indoor photography.
The FX 50mm f/1.8G provides more reach than the DX 35mm f/1.8G, while still having a similar price.
There won’t huge differences between the lenses. With the 50mm, you’ll get a bit more reach and have an easier time blurring the background.
It weighs 185g (6.6 oz) and has dimensions of (Diameter x Length) 2.83" x 2.01".
Best First Prime
Nikon AF-S DX 35mm f/1.8G
- Very Accurate Autofocus Performance
- Takes Excellent Pictures in Challenging Lighting Situations
- Excellent Nikon D80 lens for street photography
- High Build Quality
- Best option for an all around lens
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The Nikon AF-S DX 35mm f/1.8G is the best first prime lens to get for the Nikon D80.
A maximum aperture of f/1.8, means you’ll be able to isolate your subjects and create beautiful bokeh. Indoors the lens is fast enough to where you will not need to use flash.
With a 35mm equivalent field of view of 52.5mm, you’ll have a “standard” field of view. Your photos will have a perspective that is similar to what is seen by human eyes.
Weighing just 200g (7oz), there’s never a reason not to have the lens with you. With dimensions of (Diameter x Length) 2.8 in. (70 mm) x 2.1 in. (52.5 mm), you can easily keep it in a coat pocket or bag.
Macro Photography Best Nikon D80 Lenses
Macro photography starts with a reproduction ratio of 1:1. That 1:1 ratio can also be referred to as life size or 1X magnification.
Those terms all mean that the subject being photographed is the same size as the camera’s sensor. Popular subjects are insects, coins, flowers, copy work and academic subjects.
There are other ways to achieve macro magnification, such as extensions tubes. Personally, I find that a macro lens easier to use and gives better results. That’s because a macro lens has a large minimum focus distance.
As a quick note, Nikon branded their macros as Micro-Nikkor lenses. This is a constant source of confusion as micro and macro have opposite meanings.
Nikon Micro-Nikkor 40mm f/2.8G
- Close-Range Correction System (CRC)
- Silent Wave Motor (SWM)
- Maximum Reproduction Ratio of 1X
- Well Built with a Rubber Sealing Mount Protects Against Dust and Moisture
- Excellent option for Close Ups
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The Nikon Micro-Nikkor 40mm f/2.8G is the best choice for getting started with macro and close-up photography with the Nikon D80.
As far as modern macro lenses go, the lens is relatively inexpensive. It also has a high-quality autofocus motor and uses current optics.
This means the lens can also be used for general photography. That’s not the case with older macros, as their image quality only becomes excellent after the aperture is stopped down.
The lens weighs 235g (8.3 oz) with dimensions (diameter x length) of 2.7 in. (68.5 mm) x 2.5 in. (64.5 mm).
Nikon AF-S DX Micro Nikkor 85mm f/3.5G ED VR
- Super Integrated Coating (SIC) to reduce Chromatic Aberration
- Maximum Reproduction Ratio of 1X
- Built with Internal Focus (IF)
- VR - Vibration Reduction Image Stabilization
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The primary benefit of the 85mm macro lens over the 40mm is a longer working distance. That’s the distance from the front of the lens to the subject.
At 1X magnification, the front of the lens is going to be close to the subject. If you are trying to photograph an insect, this may cause them to try to get away.
Another issue could be properly lighting a subject. Depending on your light source it could be tedious to get it setup without the lens blocking it.
The downside is that a little more working distance adds to the cost of the lens.
While not the primary purpose of the lens, it can be used for portraits, but the f/3.5 maximum aperture might not create the best background bokeh.
Lens Selection Criteria
- Overall Image Quality
- Price to Performance
- Focal Length Range
Having a high-quality lens is of more importance for image quality than a high priced camera. Lenses don’t wear out, you will be able to keep your lenses if you ever decide to upgrade your Nikon D80.
That doesn’t mean that price is not a factor. It wouldn’t seem sensible to suggest high priced lenses, even if they are the best.
All the most commonly employed focal lengths have been reviewed.
Niche or professional lenses such as perspective control, specialist macro, mirror, and fisheye lenses haven’t been included. They are high-priced enough to also advise a camera upgrade.
When to Upgrade Your Camera
The Nikon D80 was released in 2005. It should be come as no surprise that there are many Nikon D80 upgrade options available. One of the nice things is that you can still use the same lenses with a more recent camera, the majority with seamless compatibility.
Having access to different focal lengths, a fast prime, or a cutting edge lens will do more for you than a brand new camera. However, it is difficult to overlook the high resolution available from a newer APS-C camera body as well as fast continuous shooting speed and more white balance options.
The price of a second hand Nikon D80 replacement is a tiny fraction of the cost when the camera was just released. That same drop in price also applies to newer camera models.
An upgrade that is a perfect fit for the needs you have is most likely much less expensive than you would imagine if you will be willing to sell your D80 camera once you have a replacement.
Types of Lenses
Focal Lengths
- Wide Angle - Captures a large angle of view of a scene. These have a short focal length.
- Standard - Has a field of view that looks "natural" when viewed by people. Any focal length between 35mm to 50mm.
- Telephoto - Lenses with a narrow field of view, very helpful for subjects that are far away or small. Wildlife photos are a popular use for this type of focal length.
- Macro - Has the ability to take images close up to a subject at a 1:1 magnification ratio of subject to sensor size.
- Fisheye - Ultra wide-angle lenses that produce distorted circular images.
Zoom vs Prime
- Zoom - The focal length is variable. The zoom range coverage will be different, but Nikon is always trying to make larger zoom ranges.
- Prime - Lenses with a fixed focal length. Usually, they have larger apertures than zoom lenses. Larger apertures are better for low light condition and creating blurry backgrounds with a telephoto lens. Better ones will have razor sharp image clarity.
Compatible Lenses
Nikon F Mount
The D80 camera uses Nikon F-mount lenses. Nikon first utilised the F-mount in 1959. There are several different variations of the lens mount as it has been modified over time to accommodate DSLR cameras.
Early autofocus lenses depended on a focus motor built into camera bodies. The Nikon D80 is one of the only entry level digital SLR cameras to have the focus motor built-in. As a result, autofocus will work with early autofocus lenses.
The Nikon D80 does not have a meter coupling ridge or EE servo coupling post. Light metering won’t work correctly for manual lenses without electrical contacts. AF lenses with physical aperture rings will likely need to be stopped down to their smallest aperture.
Nikon D80 Kit Lens
The Nikkor 18-55mm f/3.5-5.6G ED AF-S DX VR was originally sold with the Nikon D80. This was most commonly included with pre-owned D80’s for sale on eBay or Amazon.
It is one of several dx nikkor lenses that have been included with cameras over the years. These make up the right lens selection for a majority of the anticipated needs of a Nikon D80 owner.
In demanding low light conditions using fill flash from the camera will help. Compatible lighting equipment like Nikon’s creative lighting system can be helpful if you can buy used flashes that are inexpensive enough.
If you don’t have this lens, it is an outstanding first pick for the camera. The focal length, inclusion of image stabilization, and performance is adequate, especially taking into account the affordable price of a used copy. The one undesirable aspect is the f/5.6 aperture at the long end.